Summary

M. F. Mansfield Castles and Chateaux of Old Burgundy

The men of the modern world who own to Burgundy as their patrie are almost too numerous to catalogue, but all will recall the names of Buffon, Guyton de Morveau, Monge and Carnot, Rude, Rameau, Sambin, Greuze and Prud’hon.
In the arts, too, Burgundy has played its own special part, and if the chateau-builder did not here run riot as luxuriously as in Touraine, he at least builded well and left innumerable examples behind which will please the lover of historic shrines no less than the more florid Renaissance of the Loire.
Source: Gutenberg

M. F. Mansfield Castles and Chateaux of Old Burgundy

Between Chambéry and Aix-les-Bains, just beside that wide dusty road along which scorch the twentieth century nouveau riche, who with their villas and gigantic hotels have all but spoiled this idyllic corner of old Europe, rise the walls of the Chateau de Montagny, captured in 1814 by the allied armies marching against France, and which still conserves, embedded in its portal, a great shot, one of a broadside which finally battered in its door. If one would see war-like souvenirs still more barbarous, a cast of the eye off towards Montmélian and Miolans will awaken even more bloody ones.
Source: Gutenberg

M. F. Mansfield Castles and Chateaux of Old Burgundy

It can be seen, it is said, fifty kilometres away, either up or down the Isère. This one can well believe. It can only be compared to a castled burg of the Rhine or Meuse: it is like nothing else in modern France. The great moats surround it as of old, its drawbridge, its chemin-de-ronde, its cachets, dungeons and oubliettes are quite undespoiled, and its chapel as bright and inspiring as if its functions served to-day as in the time of the seigneurs of the joint house of Miolans and Montmayeur, a family one of the most ancient in Savoy, but which became extinct in 1523.
Source: Gutenberg

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