Summary

Weymer Jay Mills Through the Gates of Old Romance

Almost a century has passed since the dawn after the Moore ball when a girl stole down the slender staircase of that proud mansion. It was Ellen Conover garbed for a journey. Like the ghost of pleasure, she crept through the trellis-work of faded flowers which adorned the landing and hurried noiselessly over the slippery hall. No one was about but Thomas, who was picking up some of the motto papers and dead flowers strewn over the dining-room floor. Hearing the rustle of a woman's dress, he came to the door of that room and looked out with startled eyes.
Source: Gutenberg

Weymer Jay Mills Through the Gates of Old Romance

What a great man was Olando, to record the lives of a small army of humanity! Sweet were the emblems he placed over their faded lives. Close to the specimens of his handiwork are older stones on which are figured skulls and other cruel reminders of death; but Olando gave his tired ones the emblems of nature, the never-ceasing resurrection. The elements are sweeping away some of his trees and flowers, it is true, for this youth from New England came to cut tombstones as a travelling apprentice to one Thompson, in the spring before Aaron Burr thought of Staten Island as his last home.
Source: Gutenberg

Weymer Jay Mills Through the Gates of Old Romance

Our beech-tree! How the words sink into his soul and cut like knives!
"No, Ellen," he answers; "the leaves of the tree, so tender and young, are old and seared for us."
"Why, Nathaniel, how strange you talk!" she says. Then she looks into his white face and begins to understand.
Oh, the anguish of his drawn young face, as he folds her in his arms and tells her to be brave. Into the library she follows him. Her step has lost its buoyancy and the roses have died in her cheeks. A woman's intuition has guessed what he has to tell her. Something has come between them.
Source: Gutenberg

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