Willa Cather

Willa Cather

Summary

Portrait of Willa Cather Willa Cather,  A Wagner Matinee

“ The matinee audience was made up chiefly of women. One lost the contour of faces and figures--indeed, any effect of line whatever-and there was only the color of bodices past counting, the shimmer of fabrics soft and firm, silky and sheer: red, mauve, pink, blue, lilac, purple, ecru, rose, yellow, cream, and white, all the colors that an impressionist finds in a sunlit landscape, with here and there the dead shadow of a frock coat. My Aunt Georgiana regarded them as though they had been so many daubs of tube-paint on a palette. ”
Source: Wikisource

Portrait of Willa Cather Willa Cather,  A Wagner Matinee

“ The clean profiles of the musicians, the gloss of their linen, the dull black of their coats, the beloved shapes of the instruments, the patches of yellow light thrown by the green- shaded lamps on the smooth, varnished bellies of the cellos and the bass viols in the rear, the restless, wind-tossed forest of fiddle necks and bows-I recalled how, in the first orchestra I had ever heard, those long bow strokes seemed to draw the heart out of me, as a conjurer's stick reels out yards of paper ribbon from a hat. ”
Source: Wikisource

Portrait of Willa Cather Willa Cather,  A Wagner Matinee

“ My Aunt Georgiana had been a music teacher at the Boston Conservatory, somewhere back in the latter sixties. One summer, while visiting in the little village among the Green Mountains where her ancestors had dwelt for generations, she had kindled the callow fancy of the most idle and shiftless of all the village lads, and had conceived for this Howard Carpenter one of those extravagant passions which a handsome country boy of twenty-one sometimes inspires in an angular, spectacled woman of thirty. ”
Source: Wikisource

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