Summary

Portrait of Willa Cather Willa Cather The Troll Garden — A Wagner Matinee (1905)

The matinée audience was made up chiefly of women. One lost the contour of faces and figures, indeed any effect of line whatever, and there was only the colour of bodices past counting the shimmer of fabrics soft and firm, silky and sheer; red, mauve, pink, blue, lilac, purple, ecru, rose, yellow, cream, and white, all the colours that an impressionist finds in a sunlit landscape, with here and there the dead shadow of a frock coat. My Aunt Georgiana regarded them as though they had been so many daubs of tube-paint on a palette.
Source: Wikisource

Portrait of Willa Cather Willa Cather The Troll Garden — A Wagner Matinee (1905)

The name of my Aunt Georgiana called up not alone her own figure, at once pathetic and grotesque, but opened before my feet a gulf of recollection so wide and deep, that, as the letter dropped from my hand, I felt suddenly a stranger to all the present conditions of my existence, wholly ill at ease and out of place amid the familiar surroundings of my study. I became, in short, the gangling farmer-boy my aunt had known, scourged with chilblains and bashfulness, my hands cracked and sore from the corn husking.
Source: Wikisource

Portrait of Willa Cather Willa Cather The Troll Garden — A Wagner Matinee (1905)

My Aunt Georgiana had been a music teacher at the Boston Conservatory, somewhere back in the latter sixties. One summer, while visiting in the little village among the Green Mountains where her ancestors had dwelt for generations, she had kindled the callow fancy of the most idle and shiftless of all the village lads, and had conceived for this Howard Carpenter one of those extravagant passions which a handsome country boy of twenty-one sometimes inspires in an angular, spectacled woman of thirty.
Source: Wikisource

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