Summary

William Chapman Waller Loughton, Essex: A brief account of the Manor and Parish

We in Loughton owe more than all of us perhaps recognize to an architect who has left his mark strongly impressed on our village. I refer, of course, to Edmond Egan, and I am glad to have the occasion to pay this tribute to his memory. Each year now sees some often undesired change, and one can almost forsee the time when ‘long unlovely streets’ will have replaced almost wholly the green meadows which have hitherto gladdened the eyes and hearts of us Forest-folk. The Forest we shall always have: but a Forest girdled with coal-smoke will not be the same Forest.
Source: Gutenberg

William Chapman Waller Loughton, Essex: A brief account of the Manor and Parish

The village would have been an ideal site for a ‘garden-city,’ and models of domestic architecture were not far to seek—Algors House, The White House, Alderton Hall, and others outside the parish but not far off, might have served. But it is only now that people are beginning to realise that a plain, roomy, old-fashioned cottage is better art than a smart new villa: and even now, after all that Ruskin and Morris have done, it is only among the more highly cultivated that saner views are beginning to prevail.
Source: Gutenberg

William Chapman Waller Loughton, Essex: A brief account of the Manor and Parish

What ‘manor’ meant in that remote period is still a moot point, but it is certain that the word was often applied to much smaller areas than in later times. A very learned modern writer suggests that the manor implies a channel of payment, the owner being liable for the Danegeld due not only from himself, but also from his free tenants, whose tie to him was otherwise very slight. And, in passing, we may note that ‘tenant,’ in the Domesday sense, is almost equivalent to our modern ‘freeholder.’ No mention is made of a church in Loughton, but it is more than probable that one existed.
Source: Gutenberg

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