Summary

Portrait of William Dean Howells William Dean Howells A Hazard of New Fortunes — Part Second… (1890)

She acted on this superstition as if it were a religion.
"If it had not been for my despair, as you call it, Alma," she answered, "I don't know where we should have been now."
"I suppose we should have been in St. Barnaby," said the girl. "And if it's worse to be in New York, you see what your despair's done, mamma. But what's the use? You meant well, and I don't blame you. You can't expect even despair to come out always just the way you want it. Perhaps you've used too much of it." The girl laughed, and Mrs. Leighton laughed, too.
Source: Wikisource

Portrait of William Dean Howells William Dean Howells A Hazard of New Fortunes — Part Second… (1890)

Leighton.
"Why, of course not!" cried the girl. "And the influence is the last thing a painter thinks of--or supposes he thinks of. What he knows he's anxious about is the drawing and the color. But people will never understand how simple artists are. When I reflect what a complex and sophisticated being I am, I'm afraid I can never come to anything in art. Or I should be if I hadn't genius."
"Do you think Mr. Beaton is very simple?" asked Mrs. Leighton.
"Mr. Wetmore doesn't think he's very much of an artist. He thinks he talks too well.
Source: Wikisource

Portrait of William Dean Howells William Dean Howells A Hazard of New Fortunes — Part Second… (1890)

Either way, it's a drawback to their presenting a truly manly appearance. As long as I have one of the miserable objects before me, I can draw him; but as soon as his back's turned I get to putting ladies into men's clothes. I should think you'd be scandalized, mamma, if you were a really feminine person. It must be your despair that helps you to bear up. But what's the matter with the young lady in young lady's clothes? Any dust on her?"
"What expressions!" said Mrs. Leighton. "Really, Alma, for a refined girl you are the most unrefined!"
Source: Wikisource

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