William Le Queux

William Le Queux

Summary

Portrait of William Le Queux William Le Queux The Day of Temptation

But kiss me once,” she implored in her sweet, lisping Italian. “Give me one single kiss before you part from me.”
His brow darkened. He held his breath.
“No, no,” she cried wildly, divining his disinclination, “I am not the Contessa Funaro, now. I am Gemma—the woman who loves you, the woman who is at this moment risking her life for you. Kiss me. Then go. Fly, caro, abroad, and may no harm befall you, Nino, my beloved!” Then she raised her beautiful face to his.
His countenance relaxed, he bent swiftly, and their lips met in one long, tender, passionate caress.
Source: Gutenberg

Portrait of William Le Queux William Le Queux The Day of Temptation

I have the reputation of being the gayest woman in all gay Italy; and yet—and yet,” she added in a soft voice, “I love you, Nino.”
“No!” he cried, drawing from her with repugnance, as if in fear that her hands should touch him; “it is not possible that we can exchange words of affection after this vile deceit. All is now plain why the police of Livorno ordered you to leave the city; why Hutchinson, the Consul, urged me to part from you; why, when we drove together in those sun-baked streets, every one turned to look at you. They knew you!”
Source: Gutenberg

Portrait of William Le Queux William Le Queux The Day of Temptation

When an Italian woman loves, it is with a fierce, uncontrollable passion, not with that too often sickly admiration for a man’s good looks which is so characteristic of love among the more northern nations. In no country is love so ardent, so passionate, so enduring, as in the sunny garden of Europe. The Italian woman is slow to develop affection, or even to flirt with the sterner sex; but when she loves, it is with all the strength of her being; she is the devoted slave of her lover, and is his for life, for death.
Source: Gutenberg

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