Summary

Winthrop Packard Literary Pilgrimages of a Naturalist

In all the fairy nooks of this valley ferns spring up like vagrant, delicate fancies that are real while you hold them in close contemplation, yet vanish into the green of the surroundings, as the form of a poet’s thought fades when you take your eye from the printed page, though the thought itself lingers long in your memory. In the shallow meadow that was once the tiny pond stands, shoulder high to the feeding cattle, a solid, serried phalanx of the tall sagittaria, its heart-shaped, lanceolate, pointed leaves aiming this way and that, as if to fend it with keen tips from the eager browsers.
Source: Gutenberg

Winthrop Packard Literary Pilgrimages of a Naturalist

When the east wind blows in on this lovely country of pasture, field and woodland it brings the roar of the sea and the smell of it. The breakers that smash against the boulder-strewn base of Third Cliff send the call of the wide spaces of the earth into the secluded glades, and match the lure of their odors against the fragrance of the woods. And here between the two lies the level stretch of the salt marsh, the no-man’s land, the Tom Tiddler’s ground, which the sea may seize but never quite possess, which the country may invade but never overrun.
Source: Gutenberg

Winthrop Packard Literary Pilgrimages of a Naturalist

Eastward under the sun lies the pale rim of the sea. Kenoza Lake opens two wide blue eyes at your feet, and all along beneath you roll bare, round-topped hills sloping down to dark woods and scattered fields, as unspoiled by man as in Whittier’s days. The making of farms does not spoil the beauty of a country; it adds to it. It is the making of cities that spells havoc and desolation. Through the pasture, up the steep slopes to the summit of Job’s Hill, that seems so bare at first glimpse, climb all the lovely pasture things to revel in the free winds.
Source: Gutenberg

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