Summary

Yevgeny Zamyatin We — A Letter—A Membrane—Hairy I (1924)

She stood up and stretched herself lazily. She pressed the button, and the curtains on all four walls fell with a slight rustle. I was cut off from the rest of the world, alone with her.
She was somewhere behind me, near the closet door. The unif was rustling, falling. I was listening, all listening. I remembered—no, it glistened in my mind for one hundredth of a second—I once had to calculate the curve of a new type of street membrane. (These membranes are handsomely decorated and are placed over all the avenues, registering all street conversations for the Bureau of Guardians.)
Source: Wikisource

Yevgeny Zamyatin We — A Letter—A Membrane—Hairy I (1924)

Is it possible that she really . . . that she . . .
A quarter to twenty-one. A white northern night. Everything was glass, greenish. But it was a different kind of glass, not like ours, not genuine but very breakable, a thin glass shell, and within that shell things were flying, whirling, buzzing. I wouldn’t have been surprised if suddenly the cupola of the auditorium had risen in slow, rolling clouds of smoke; or if the ripe moon had sent an inky smile, like that one at the little table this morning, or if in every house suddenly all the curtains had been lowered, and behind the curtains . .
Source: Wikisource

Yevgeny Zamyatin We — A Letter—A Membrane—Hairy I (1924)

What had she there, behind her lowered curtains? What would she say? What would she do in a second? How to learn it? How to calculate it, since she comes from beyond, from the wild, ancient land of dreams? I looked at her in silence. My ribs were iron bars. The space for the heart was too small . . . When she speaks, her face is like a swiftly revolving, glittering wheel; you cannot see the separate bars. But at that moment the wheel was motionless. I saw a strange combination: dark eyebrows running right to the temples—a sharp, mocking triangle
Source: Wikisource

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