Summary

Portrait of Yone Noguchi Yone Noguchi The American Diary of a Japanese Girl

The spectacle of the river reminded me of the Sumida Gawa of Tokio, mirroring the clouds of affectionate cherry blossoms which border its bank. It would be a remarkable idea, I thought, to petition the Mayor of New York for the Japanese cherry-trees to parade on this side of the Hudson. When they are in flower, I will open a tea-house under them, of course. My attire as a mistress should be a little red crape apron to begin with. My head will be wound with a Japanese towel to endow my Oriental eyes with certain better results.
Source: Gutenberg

Portrait of Yone Noguchi Yone Noguchi The American Diary of a Japanese Girl

O Morning Glory, you are one century late!
They besieged me.
None of them was so pretty as Ada. Beauty is rare, I perceive, like good tweezers or ideal men.
I distributed my Japanese cards.
All of my new friends held them upside down.
Is it a modern vogue to be ignorant?
Ada played skilfully her role of hostess, which was a middle-aged part. She didn’t even spill the tea in serving. Her “Sugar? Two lumps?” sounded fit. She divided her entertaining eye-flashes among us.
Tea is the thing for afternoon, when woman is excused if she be silly.
Source: Gutenberg

Portrait of Yone Noguchi Yone Noguchi The American Diary of a Japanese Girl

I was glad that he was not Mr. Ellis, Jr. The word “Jr.” appears to me like a ragged papa’s old coat which is dreadfully out of fashion.
“Will you let me paint you?” he requested.
“Am I beautiful enough, do you think?” I said, dropping my eyelids.
“Only too charming!” he said bravely.
I always think every gentleman whom I meet falls in love with me.
I regarded Mr. Oscar Ellis already as an adorer.
O sentimental Morning Glory!
When I returned to Schuyler’s my mind was completely occupied with an absurd fancy.
Source: Gutenberg

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