Summary

by Henry James,  Roderick Hudson (unsourced edition… (1875)

“ They were of such a nature as to make him unwilling to retreat, and yet to make it awkward to be discovered in a position where it would be apparent that he had heard them.
"If what you say is true," said Christina, with her usual soft deliberateness—it made her words rise with peculiar distinctness to Rowland's ear—"you are simply weak. I am sorry! I hoped—I really believed—you were not."
"No, I am not weak," answered Roderick, with vehemence; "I maintain that I am not weak! I am incomplete, perhaps; but I can't help that. Weakness is a man's own fault!"
”
Source: Wikisource

by Henry James,  Roderick Hudson (unsourced edition… (1875)

“ Some days afterward it happened that Rowland, on a long afternoon ramble, took his way through one of the quiet corners of the Trastevere. He was particularly fond of this part of Rome, though he could hardly have expressed the charm he found in it. As you pass away from the dusky, swarming purlieus of the Ghetto, you emerge into a region of empty, soundless, grass-grown lanes and alleys, where the shabby houses seem mouldering away in disuse, and yet your footstep brings figures of startling Roman type to the doorways. ”
Source: Wikisource

by Henry James,  Roderick Hudson (unsourced edition… (1875)

“ You live in the whirl and hurry of a world into which a poor artist can hardly find it to his advantage to follow you."
"In plain English, I am hopelessly frivolous. You put it very generously."
"I won't hesitate to say all my thought," said Rowland. "For better or worse, you seem to me to belong, both by character and by circumstance, to what is called the world, the great world. You are made to ornament it magnificently. You are not made to be an artist's wife."
"I see. But even from your point of view, that would depend upon the artist.
”
Source: Wikisource

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