E. Phillips Oppenheim

E. Phillips Oppenheim

Summary

Portrait of E. Phillips Oppenheim E. Phillips Oppenheim The Wrung Heart (1925)

Claire cried. “What did you do?”
Rapasto's fingers strayed once more to his mustache.
“My child,” he answered, “if I had been another sort of man, that might have been a dangerous question, but, before all things, I am an artist. There was nothing else but the glory of my art in my veins that night. My soul triumphed over everything. I had myself escorted back to my room in the hotel, and locked in. I supped alone before an open window. I looked out over New York. I prayed. I gave thanks that it was I, Rapasto, who knew himself in that moment to be the greatest singer in the world's history.”
Source: Wikisource

Portrait of E. Phillips Oppenheim E. Phillips Oppenheim The Wrung Heart (1925)

A single drop of rain, as large as half-a-crown, dropped on the piazza. Round the last corner of the avenue came a great motor-car—a black limousine with silver mountings. Claire clutched at her companion's arm.
“Look, Hugh!” she exclaimed. “There is just one man inside. Is he a Virgin?”
There was another peal of thunder. The wind brought down a shower of rose leaves and orange-blossom petals, which filled the air like a hail storm.
“Whoever it is,” Cardinge observed, “he comes in dramatic fashion.”
Source: Wikisource

Portrait of E. Phillips Oppenheim E. Phillips Oppenheim The Wrung Heart (1925)

Claire intervened, “but why does it matter so much if for three times only you sing for a great cause without all these wonderful arrangements?”
His smile was almost pitiful.
“Dear child,” he explained softly, “a gift such as mine is most precious because of its rarity. Queens have begged me to sing at their courts. The most wonderful women in Europe have offered everything they possess for half-a-dozen notes in their boudoir. It is not for me to grant such requests. I am the trustee of an immortal gift. There are many who may sing for charity—not Rapasto!”
Source: Wikisource

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