Summary

Portrait of e. e. cummings e. e. cummings The Enormous Room — THE WANDERER (1922)

And I think The Wanderer, with his wife and children whom he loved as never have I seen a man love anything in this world, was partly happy; walking in the sun when there was any, sleeping with his little boy in a great gulp of softness. And I remember him pulling his fine beard into two darknesses—huge-sleeved, pink-checked chemise—walking kindly like a bear—corduroy bigness of trousers, waistline always amorous of knees—finger-ends just catching tops of enormous pockets.
Source: Wikisource

Portrait of e. e. cummings e. e. cummings The Enormous Room — THE WANDERER (1922)

The Wanderer's wife and his two daughters and his baby lived in the women's quarters. I have not described and cannot describe these four. The little son of whom he was tremendously proud slept with his father in the great quilts in The Enormous Room. Of The Wanderer's little son I may say that he had lolling buttons of eyes sewed on gold flesh, that he had a habit of turning cart-wheels in one-third of his father's trousers, that we called him The Imp. He ran, he teased, he turned handsprings, he got in the way, and he even climbed the largest of the scraggly trees in the cour one day.
Source: Wikisource

Portrait of e. e. cummings e. e. cummings The Enormous Room — THE WANDERER (1922)

And the man in the shafts craned his neck in stupid amazement, and the planton twirled his moustache and assumed that intrepid look which only a planton (or a gendarme) perfectly knows how to assume in the presence of female beauty.
That night The Wanderer was absent from la soupe, having been called by Apollyon to the latter's office upon a matter of superior import. Everyone was abuzz with the news. The gypsy's wife and three children, one a baby at the breast, were outside demanding to be made prisoners.
Source: Wikisource

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