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Summary

no contributor recorded Dictionary of National Biography… (1889)

Newman, in his ‘Apologia,’ speaks of Froude's bold and logical intellect. He already detested the reformers, admired the church of Rome, accepted tradition ‘as a main instrument of religious teaching,’ and was ‘powerfully drawn to the mediæval church, but not to the primitive.’ He was ‘a high tory of the cavalier stamp,’ a man of strong classical tastes, and fond of historical inquiry, but ‘had no taste for theology as such.’ He became an influential member of the party afterwards known as the Oxford school, and had a strong influence upon its founders.
Source: Wikisource

no contributor recorded Dictionary of National Biography… (1890)

These books and drawings are now preserved in the museum at Oxford. The books include some fine editions of the classics and many early Italian works on architecture. There are also many of his designs. Gibbs was a Roman catholic, like his father, but ‘justly esteemed by men of all persuasions.’ His portraits and busts indicate thoughtfulness, penetration, and self-control, but scarcely great power. His architecture shows fine discernment rather than fine invention.
Source: Wikisource

no contributor recorded Dictionary of National Biography… (1895)

Fingal, as the name of a hero, is unknown to Gaelic literature before the time of Macpherson, and in his treatment of Fingal's exploits Macpherson shows a complete ignorance of the genuine poetic literature of the Gael. In none of the genuine Gaelic tales are Oisin and his companions associated, as in Macpherson's poems, with Cuchullin, with Fergus, with King Conchobhar, or Queen Medbh, whose exploits are placed in Gaelic literature in the first century of the Christian era.
Source: Wikisource

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