no contributor recorded

Biographical details

no contributor recorded,  Dictionary of National Biography (1901)

“ While a lad at Leicester he had declared himself on a chartist platform for ‘the party of the working men.’ When he entered on his political career he was a radical, ardent for the extension of the franchise, hostile to all that savoured of religious inequality, anxious for the pacification of Ireland, a strong free-trader, and, above all, in most complete sympathy with the class from which he had raised himself. ”
Source: Wikisource

no contributor recorded,  Dictionary of National Biography… (1912)

“ Craven was probably the greatest scene-painter of his century. The equal of Stanfield and Beverley in craftsmanship and imagination, he excelled both in the capacity to adapt his knowledge to the needs of the stage. As scenic innovator he ranks with Loutherbourg. He was the first to demonstrate that tones thrown upon the scene by phantasmagoric lights are subtler in atmospheric effect than tones wholly expressed by paint on canvas. He painted his Lyceum scenery with a view to the particular kind of light it was to bear. ”
Source: Wikisource

no contributor recorded,  Dictionary of National Biography… (1912)

“ His real devotion was to art. Having shown as a boy a remarkable gift for likeness and caricature, he took up the practice of painting in earnest after leaving Cambridge, and was the pupil successively of Alphonse Legros and Giovanni Costa. Of his many friendships the most intimate were with artists, especially with the two above named and with Burne-Jones, Leighton, Watts, Thomas Armstrong, Pepys Cockerell, and latterly Sir Charles Holroyd. He had an intense sympathy for Italy and the Italians, and in early life cherished a close and reverential friendship for Mazzini. ”
Source: Wikisource

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