various contributors

Punch, Volume 147, Issue 3823… (19th and 20th century)

Summary

various contributors Punch, Volume 147, Issue 3823… (19th and 20th century)

Those grotesqueries of the tramp and the fantastically laughable adventures of Wriford in his company—do they mingle quite smoothly with the painfully realistic manifestations of poor Wriford's state? Can so dreadful a theme ride off successfully on so bizarre a steed? And then again, was not the whole agony of the man on the physical and mental, not the spiritual plane? For did not Wriford before his illness give many obvious signs of unselfishness? Is there not in effect a certain confusion of the clean heart with the unclouded mind?
Source: Wikisource

various contributors Punch, Volume 147, Issue 3823… (19th and 20th century)

When Max Doran, rich, popular and just betrothed to a star of musical comedy, hears suddenly that he isn't Max Doran at all, but a pauper changeling, and that the real child of his parents (if I make myself clear) is a dull-witted girl who has been spirited away to Africa—I said to myself, now there is an exciting time ahead. So there was, but not in the way I had expected. For when Max goes out to Africa to find the missing one he finds her all right, but himself gets involved in a totally different and not so promising complication.
Source: Wikisource

various contributors Punch, Volume 147, Issue 3823… (19th and 20th century)

The tale is told in a detached and purposely elusive way that adds much to its effect, chiefly as it is felt by one Armstrong, a stranger who comes to stay with the Mortons at a time when their very unpleasant family habit was due to manifest itself. "You cannot move about the house without feeling that the thing has nearly broken through."
Source: Wikisource

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