Summary

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton Appreciations and Criticisms of the Works of Charles Dickens… (1911)

But in a fairy tale the boy sees all the wonders of fairyland because he is an ordinary boy. In the same way Mr. Samuel Pickwick sees an extraordinary England because he is an ordinary old gentleman. He does not see things through the rosy spectacles of the modern optimist or the green-smoked spectacles of the pessimist; he sees it through the crystal glasses of his own innocence. One must see the world clearly even in order to see its wildest poetry.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton Appreciations and Criticisms of the Works of Charles Dickens… (1911)

But when Dickens brought forth Sam Weller or Pickwick he was creating something that had once been inside himself and therefore when once created could only go further and further away. It may seem a strange thing to say of such laughable characters and of so lively an author, yet I say it quite seriously; I think it possible that there arose between Dickens and his characters that strange and almost supernatural shyness that arises often between parents and children; because they are too close to each other to be open with each other.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton Appreciations and Criticisms of the Works of Charles Dickens… (1911)

The reason lay, I think, in the very genius of Dickens's creation. The child he bore of his soul quitted him when his term was passed like a veritable child born of the body. It was independent of him, as a child is of its parents. It had become dead to him even in becoming alive. When Thackeray studied Pendennis or Lord Steyne he was studying something outside himself, and therefore something that might come nearer and nearer.
Source: Wikisource

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