Germinie Lacerteux

Definition and stakes

Portrait of Edmond de Goncourt Edmond de Goncourt Germinie Lacerteux

In truth Germinie was not Mademoiselle de Varandeuil's maid; she was Devotion, waiting to close her eyes. The solitary old woman, overlooked by death, alone at the end of her life, dragging her affections from grave to grave, had found her last friend in her servant. She had rested her heart upon her as upon an adopted daughter, and she was especially unhappy because she was powerless to comfort her. Moreover, at intervals, Germinie returned to her from the depths of her brooding melancholy and her savage humor, and threw herself on her knees before her kind heart.
Source: Gutenberg

Portrait of Edmond de Goncourt Edmond de Goncourt Germinie Lacerteux

Germinie's was not one of those fortunate natures that do wrong and leave the memory of it behind them, and never feel a twinge of regret. She had not, like Adèle, one of those vulgar material organizations, which never allow themselves to be affected by any but animal impulses. She was not blessed with one of those consciences which escape suffering by virtue of mere brutishness, or of that dense stupidity in which a woman vegetates, sinning because she knows no better.
Source: Gutenberg

Portrait of Edmond de Goncourt Edmond de Goncourt Germinie Lacerteux

Germinie was forever wiping eyes which no longer wept, but which had once wept copiously. She was always ready with an everlasting: "Nothing's the matter, mademoiselle!" uttered in the tone that covers a secret. She adopted dumb, despairing, funereal attitudes, the airs by which a woman's body diffuses melancholy and makes her very shadow a bore. With her face, her glance, her mouth, the folds of her dress, her presence, the noise she made at work in the adjoining room, even with her silence, she enveloped mademoiselle in the despair that exhaled from her person.
Source: Gutenberg

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