Sybella

Definition and stakes

Portrait of Charles James Lever Charles James Lever,  The O'Donoghue: Tale of Ireland Fifty Years Ago

“ Her words came winged with a fine expression, which look and gesture could alone give them—and in the changing colour of her cheek, her brilliant brow, her lips, even in silence eloquent, there was a character of loveliness as much above mere beauty, as life transcends the marble. The more perfect regularity of Sybella's features—their classic outline—their chaste correctness in every line and lineament—seemed cold and inanimate when contrasted with the more expressive loveliness of Kate O'Donoghue. ”
Source: Gutenberg

Portrait of Charles James Lever Charles James Lever,  Davenport Dunn, a Man of Our Day…

“ There was a dash of decision in his tone that made Sybella turn to look at him, and, to her astonishment, she saw a degree of purpose and determination in his face very unlike its former expression. If she did not possess the craft and subtlety which long years had polished to a high perfection in him, she had that far finer and more delicate tact by which a woman's nature reads man's coarser temperament. ”
Source: Gutenberg

Portrait of Charles James Lever Charles James Lever,  The O'Donoghue: Tale of Ireland Fifty Years Ago

“ So far from any jealousy obtruding, every little triumph of one was a source of unalloyed heartfelt pleasure to the other; and while Sybella sympathized with all the delight of Kate's followers in an Irish success, so Kate, with characteristic feeling, enjoyed nothing so much as the chagrin of her own party, when Sybella was unquestionably in the ascendant. Happily for us, we are not called upon to explain a phenomenon so novel and so pleasing—enough if we record it. Certain it is, the absence of all envy enhanced the fascinations of each, and exalted the objects in the eyes of their admirers. ”
Source: Gutenberg

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