Charles James Lever,
The O'Donoghue: Tale of Ireland Fifty Years Ago
“ Her words came winged with a fine expression, which look and gesture could alone give them—and in the changing colour of her cheek, her brilliant brow, her lips, even in silence eloquent, there was a character of loveliness as much above mere beauty, as life transcends the marble. The more perfect regularity of Sybella's features—their classic outline—their chaste correctness in every line and lineament—seemed cold and inanimate when contrasted with the more expressive loveliness of Kate O'Donoghue. ”
