Wilsnach

Definition and stakes

Portrait of Arthur Stringer Arthur Stringer,  The Hand of Peril (1915)

“ He was firing with the second revolver when Wilsnach came dodging and scurrying and fighting his way to the door. He kept calling out, as he came nearer, for the other man to get back out of the light.
Kestner did not get back out of the light, however, until he had seized the panting Wilsnach and swung him in through the half-opened door. Then the door was slammed shut and a key turned in the lock. The darkness was Cimmerian. But Wilsnach could feel Kestner catching and tugging at his coat-sleeve.
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Source: Wikisource

Portrait of Arthur Stringer Arthur Stringer,  The Door of Dread (1916)

“ She was still holding him back by his right arm, swung somewhat behind him in his effort to reach his hip pocket, when Keudell's huge figure blocked the doorway.
She did not actually see the revolver still in their enemy's hand. She was no more conscious of it than she was of the figures that crowded close at Wilsnach's heels. All she saw was the malignity of Keudell's heavy and colorless face. In its slightly vacuous and foolish-looking eyes she beheld only venom. It was the venom of ultimate and unreasoning hate.
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Source: Wikisource

Portrait of Arthur Stringer Arthur Stringer,  The Hand of Peril (1915)

“ Then, in a passing car, he caught one fleeting glimpse of a woman's face. Her beauty may have seemed no more pictorial than that of a hundred faces he had already passed. Yet there was a sudden trip and skip of the pulse as he stared out at that transitory picture made by the soft pallor of an oval face framed against the gloom of a cab-hood.
"What's up? " demanded Wilsnach as their taxi started forward with a jerk.
Kestner, who had risen, did not answer him. He was already struggling with the cab-door and calling aloud to his driver. Then he saw it was useless.
”
Source: Wikisource

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