Zelmane

Definition and stakes

Portrait of Philip Sidney Philip Sidney,  The Countess of Pembroke's Arcadia (1907)

“ For Zelmane, when she had by that unexpected mischief her body imprisoned, her valour over-mastered, her wit beguiled, her desires barred, her love eclipsed; assured of evil, fearing worse, able to know Philoclea’s misfortune, and not able to succour her, she was a great while before the greatness of her heart could descend to sorrow, but rather rose boiling up in spite and disdain, reason hardly making courage believe that it was distressed: but as if the walls would be afraid of her, so would her looks shoot out threatenings upon them. ”
Source: Gutenberg

Portrait of Philip Sidney Philip Sidney,  The Countess of Pembroke's Arcadia (1907)

“ But she hastily coming in, the gentleman rose up, and with a courteous, though sad, countenance presented himself unto her. Zelmane’s eyes straight willed her mind to mark him, for she thought in herself, she had never seen a man of a more goodly presence, in whom strong making took not away delicacy, nor beauty fierceness: being indeed such a right man-like man, as nature often erring, yet shows she would fain make. ”
Source: Gutenberg

Portrait of Philip Sidney Philip Sidney,  The Countess of Pembroke's Arcadia (1907)

“ Philoclea chained by thoughts to Zelmane, did imitate her being pensive, because she was pensive: yet like a cunning painter, who having fully fed his eyes with the affected object, turns back within himself, that his imagination may engrave it the more exactly within his memory, she would sometimes with a thievishly adventurous look spy Zelmane’s gesture, that she might the better counterfeit it in her countenance. As for Pamela, she kept her accustomed majesty, being absent where she was, and present where she was not. ”
Source: Gutenberg

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