Stagehand

Definition and stakes

Nat. C. Goodwin,  Nat Goodwin's Book

“ For all of the arts acting most requires practical demonstration. And that can be taught only by professional tutors.
And how few are qualified to teach! One may have the power to portray without the ability to impart. That is why the stage manager is in such demand. So much more is demanded of the actor and actress [200] than the mere delivery of lines. It would take many pages to illustrate what I mean, but as a rule in all these schools that dot the country very little attention is given to the technique of stagecraft.
”
Source: Gutenberg

Portrait of Sir Leslie Ward Sir Leslie Ward,  Forty years of 'Spy'

“ I find that my earliest recollections of the stage are also the keenest, and the acting I saw in my youth seems to have made the most lasting impression. The stage world was, of course, much more limited in its dimensions in those days, and the few representatives of genius were nearer and, perhaps in consequence, seemingly greater than in later years, when of all the ministers of delight it must be acknowledged that the actor gives most pleasure to the greatest number of people. ”
Source: Gutenberg

Anonymous,  My Actor-Husband: A true story of American stage life

“ Stage-folk are as superstitious as a nigger mammy. A whole chapter might be devoted to their lore. One of the greatest hoodoos is to speak the tag of a play before the opening night. The tag of a play is the last several words immediately preceding the final fall of the curtain. When it comes to the tag, the actor to whose lot the final lines fall either stops with a gesture or perhaps he purloins Hamlet's last words—"The rest is silence." ”
Source: Gutenberg

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