Adrian Henry Timothy Knottesford Fortescue

Biographical details

Portrait of Adrian Henry Timothy Knottesford Fortescue Adrian Henry Timothy Knottesford Fortescue The Lesser Eastern Churches (1913)

They do not care. They lead their unknown life, follow their own immemorial customs, while far above over their heads empires crash together and shatter. To a child of the people the only law is the custom of his tribe, the only authority the village headman and village priest. What does it matter to him whether the booty torn from his people's fields is sent West to Rome or East to Persia; whether the soldiers he eyes with terror as they plunder his home, march under the eagles of Rome or the equally strange standard of the Great King?
Source: Wikisource

Portrait of Adrian Henry Timothy Knottesford Fortescue Adrian Henry Timothy Knottesford Fortescue The Uniate Eastern Churches (1923)

It is really as absurd for us Latins to think our own Patriarchate the whole Church as it would be for a Melkite to think us imperfect Catholics because we do not use the Byzantine rite.
And from every point of view we Latins owe all possible honour to our brothers the Uniates. They not only save the situation canonically, they are the most splendid example of Catholic loyalty in the world. For the Pope's cause is in some measure our cause. He is a Western bishop, a Latin as we are, and our own Patriarch. It is not difficult for us to be loyal.
Source: Wikisource

Portrait of Adrian Henry Timothy Knottesford Fortescue Adrian Henry Timothy Knottesford Fortescue The Orthodox Eastern Church (1907)

No other building has anything like as much importance in the history of architecture as the Hagia Sophia. Other great churches are, each of them, only one out of many of the same kind; this church rose, after humble and tentative efforts, as the one great example, the model on which a whole style was founded. It is not the daughter, it is the mother, of Byzantine architecture. Nothing that went before can be compared to it, and afterwards for centuries, down to our own time, Byzantine artists have had before them this one model, copied and imitated by all, but never rivalled.
Source: Wikisource

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