Alexis Rienzi, The Russian Review (1916)
“ In the great Russian musical compositions, the national song does not serve merely as a theme, a subject. It dominates, it rules, it gathers about it the best of the ornamentation that a musical genius can produce for its appropriate setting. The composer merely embellishes it, as he truthfully and skillfully makes its meaning, its aim, and its origin apparent to the listener. It is not surprising, therefore, that Russian music, when at its best, is so profoundly national, so deep, so truthful, so humanly appealing. ”
