Cecil Walter Charles Hallett

“ The quality of the glass is exceedingly good, and the window, when the sun shines through it, resembles a screen of gems, and puts its neighbours to shame. The fourth window from the west, however, by Clayton & Bell, is of considerable merit. The vaulting-shafts are in clusters of three, and have overhanging bell-shaped bases with polygonal plinths, while upon the capitals are angels bearing shields, one angel to each cluster. ”

“ The parapet is probably old Decorated work that has been used again, for it has the wide merlons and cruciform piercings characteristic of early battlements, and the Perpendicular pinnacles, it will be noticed, are not in the middle of the merlons. The manner in which the corner of the tower has been reconstructed is extremely interesting. Up the angle formed by choir and transept runs a sort of excrescence of masonry that blossoms out, so to speak, into an extraordinary complication of corbelling near the top, and is itself corbelled away at the bottom. ”

“ On the north wall the three shafts in each cluster are carried up from their corbel to the top in one piece, unbroken save by a band at the impost level of the triforium and another at the third string, and they seem detached throughout their height both from the wall and from each other. At each corner of the transept the thickening of the wall over the clearstorey arcade is carried by a shaft which rises from the bench-table or the ground.
The roof is entirely modern, and the shields on its corbels bear the arms of the chief promoters of the last restoration. ”

“ The traces of painted decoration remaining upon both pillars and vaulting are probably original. Along the walls the arches spring, not from corbels, but from short strings of the same pattern with the impost-moulding on the pillars—a pattern not of very early character. The north and south walls must, perhaps, be as old at least as the vaulting which rests against them; nor does the former wall seem quite on the same plane with the portion of Archbishop Roger’s choir foundations visible outside (between the present choir and the apse) , he having perhaps built his wall against this one. ”

“ In the upper tier, in which the various designs represent “the Heavenly type,” the Bride is the Church, and Our Lord is seen enthroned and surrounded by choirs of angels.
The yellow gritstone of the older work is contrasted curiously with the white limestone of the Perpendicular nave, and at the junction the later builders have left a jagged edge. Among very late Gothic buildings there are few indeed which are of so good a quality as this nave of Ripon, which, like the late church towers of Somerset, shows that mediæval art took long to die out in regions remote from London. ”

“ A memory of the Palace survives in ‘Hall Yard,’ and there still remains what is, perhaps, a remnant of the actual fabric, in the shape of an old cottage with an external staircase, which stands behind the wall to the west of the public garden that fronts the north side of the church. In the above-mentioned wall is an Early English doorway, with a dripstone adorned with the nailhead moulding. The door has a flat-arched wooden frame, the spandrels of which are carved with fleurs-de-lys, while the wooden tympanum above has Perpendicular panelling. ”

“ The whole front has been much restored by Sir Gilbert Scott, especially the doorways and the towers. The latter were badly cracked through settlement (due partly to the fact that in either tower one of the sides is older than the rest) , [35] but, as Sir Gilbert himself declared, they are once more strong enough to bear spires, and it is to be hoped that the hint will some day be taken. The more the west front of Ripon is studied, the more it becomes apparent how much thought has been expended upon it. Yet as a work of art it is perplexing. To some it will appear beautiful as a design ”

“ The angles of the east end seem to rest upon the very edge of the cornice of the apse, and one wonders how the wall is supported along the chord of the curve. In reality, however, the apse is not so sharply curved internally as externally, and its walls are very thick, so that the square form could be imposed upon the round without much overlapping. The parapet shows the same wide merlons and cruciform piercings which characterize the other Decorated parapets of the church, and it may have been brought forward from the choir-aisle. ”

“ After being remodelled in the time of Archbishop Roger, however, this upper storey was evidently open from end to end, and its apsidal termination, containing both piscina and altar-step, indicates that it was a chapel: indeed, as has been well suggested, it was probably the original Lady Chapel. Nevertheless, in an age when every action of life was invested with a religious character, the western part may have been used for capitular purposes even without a dividing wall, and the gritstone benches, so significant of those purposes, are doubtless of considerable age. ”

“ Through Wilfrid, Ripon had been connected with the founding of other monasteries, Hexham, Selsey, Lichfield, Oundle. Through his labours, again, and those of St. Willibrord, another of its monks, it had become known as a great centre of missionary work. Wilfrid had strengthened Christianity in Mercia and Kent, and may claim to have introduced it into Sussex and the Isle of Wight. Abroad he had carried the Gospel to the Frisians, and his work among them was splendidly completed by Willibrord, who became Archbishop of Utrecht. ”

“ As is often the case in late work, there are no sub-arches in the tracery, and the mullions are carried up through the head. The easternmost of these windows is of two lights, and has a transom in the tracery, and the westernmost is shortened to allow of a doorway of four-centred form beneath. Below the sills runs a string-course, which rises to pass over the door. The parapet is battlemented, not for military purposes but for ornament, and at intervals are the beginnings of panelled pinnacles, set diagonally and partially embedded in the battlements. ”

“ In connection with the attachment of shafts of any considerable height to wall-surfaces in Archbishop Roger’s work, it will be observed that though the shafts (according to the general practice of masonry) are usually made in short joints built in at the back, yet (as here) their jointing sometimes does not harmonize with the coursing of the wall; again (as in the old nave and north transept) the shafts of a cluster are sometimes not worked all on the same stones. ”

“ Their giant piers are clusters of engaged cylindrical shafts with rounded hollows between, and at each remodelled angle of the tower the two adjacent responds are treated as one whole, presenting seven shafts almost on the same plane. The bases, with their complex plinths and overhanging upper mouldings, are over five feet high, and the capitals are polygonal, with small and shallow mouldings, of which the lowest follows the form of the pier. Slightly stilted, richly moulded, and of many orders, these arches are so lofty as to leave no room for a blind storey above. ”

“ Later in this century a chantry chaplain is found engaging in dishonest trade; priests fight; laymen assault one another in the minster during service. But mediæval morality in general must not be condemned, of course, for a few recorded crimes.
About 1450 the south-east corner of the central tower gave way, and so unsafe was the church that service had to be held in the Lady-kirk. In consequence of this disaster the Canons were obliged to rebuild not only the south and east sides of the tower, but also the east side of the south transept, and eventually part of the south side of the Choir ”

“ The plinth, which is very massive, rises even higher above that of the west front here than it does there, and the buttresses project over 8 feet at the base and are of three stages, and the gables on these have their sides straight, their eaves everywhere continued to the wall, and their corners enriched with heads, but on the second stage only. In the two easternmost buttresses the lowest stage has heads also, and in the last buttress eastwards this stage, for some unexplained reason, is twice as broad as the others, and has an ogee gable. ”

“ It was at Ripon that he put forth, with additions of his own, certain rules against clerical abuses which he had borrowed from the diocese of Chichester. He found indeed much to reform. Already the vicariate was becoming demoralized. Vicars and inferior clergy were addicted to shows and sports, to dances and stage-plays. A chaplain invented a gambling game called “ding-thrifts.” What wonder that the laity, then, begged at the altars under pretence of being proctors of absent canons, or intruded into the choir during service—a privilege reserved for [25] the great? ”

“ The ‘low side window’ internally has a depressed pointed arch, and is widely splayed, as are also the tall and the short window opposite. It is remarkable that although the windows differ so much externally, yet internally all except the ‘low side window’ and the east window are of the form known as the ‘shouldered arch,’ a form which, by-the-way, is more usually employed in doorways.
In front of the Sanctuary are preserved two old Perpendicular pews or stalls, with carved finials. The Sanctuary itself is raised on two steps, and extends eight feet from the east wall. ”

“ In all this work the detail is of the very best: the various arches are richly moulded and supported by clusters of engaged shafts, which in the two great tiers are banded at about half their height, and the dog-tooth ornament is everywhere employed profusely. The lower tier is the more elaborate—its mouldings more numerous, its shafts more richly clustered, its capitals covered with foliage; and between the second and third lancets from the right there is a small niche with a toothed edge and the remains of a figure. ”

“ All the arches are much moulded and ornamented with the dog-tooth, and the central shaft of each cluster has a fillet. In each corner a detached shaft springs from a round corbel above the lowest string and rises to the impost of the arches, being banded twice on the way; and from its capital another shaft runs up to the ceiling. The doors to the spiral staircases open into little square lobbies which have vaults with groin-ribs springing from corbels. [56] In the north tower is a modern stained window of some merit. ”

“ All the string-courses, it will be noticed, are enriched with the nailhead moulding. The buttresses rise to the parapets without diminishing in breadth or projection—an early feature, and three large rolls or beads are worked upon their edge. Those that flank the portal have each a large niche at the bottom, with engaged shafts, and the head and dripstone trefoiled. At the corners of the façade, where the staircases are, the buttresses are triple. ”

“ The Rood Screen, according to Sir Gilbert Scott, is of a date a few years earlier than 1494, but, if so, it has taken the place of another, which is mentioned in the Fabric Rolls as early as 1408. [91] The general design is that of an arched doorway with four large niches on either side, and a tier of twenty-four small niches over all. The doorway, which retains its original panelled doors, has three shafts in either jamb, and is surmounted by a crocketed ogee hood, under which is a sculpture representing the First Person of the Trinity with attendant angels. ”

“ In the north-east corner there is a single shaft having a fillet, and adjoining it is a round-headed doorway, which once opened into the angle staircase. In this aisle the panelling is carried two bays westwards.
It should be noticed that toward the aisle the choir arches have one more order in the three Decorated bays than they have in the rest. In the Decorated vaulting several chamfers are introduced among the mouldings of the cross-springers, and both in these and in the groin-ribs the most prominent moulding has a fillet. Otherwise the roof roughly matches that of the older bays. ”