Ripon

Definition and stakes

Guy Thorne,  When It Was Dark (1905)

“ He went to open the door, and Father Ripon, his new vicar, came in like a whirlwind. His voluminous black cloak brought cold air in its folds; his breezy, genial personality was so actual a fact, struck such a strident, material note, that dreams and reverie fled before it.
Gortre turned up the gas-jets and flooded the room with light.
Father Ripon was a tall, well-made man, too active to be portly, but with hints of a tendency towards plumpness, which was never allowed to ripen. His iron-grey hair was cropped close to his large, well-shaped head.
”
Source: Wikisource

Francis Bond,  Wood Carvings in English Churches II… (1910)

“ Just as the Chester stalls were a criticism of those of Lincoln, and the Lincoln stalls of those of Ely, so the stalls of Ripon are a criticism of those of Nantwich and Carlisle. In the latter the upper story had been emphasised; at Ripon the bottom story is given the dominance; compared with the simplicity of the Carlisle design, the lower stage at Ripon, as at Nantwich, is surpassingly rich; gables and pinnacles and window tracery are loaded with beautiful detail, cusped arches are added below; finally figure sculpture is called in, and capitals and corbels are beset with tiny angels. ”
Source: Wikisource

Francis Bond,  Wood Carvings in English Churches II… (1910)

“ In the latter years of the fourteenth century we come to a new form of stall design; one in which the English carvers won their greatest triumphs, and which became the standard and typical design for English stalls. It is seen in the magnificent tabernacled stalls of Lincoln, Chester, Nantwich, Carlisle, Windsor, St Asaph, Ripon, Manchester, Westminster, Beverley and Durham. To distinguish this group, we may term it "stallwork with tabernacled canopies," or, more shortly, "tabernacled stalls." Though new, it is, like all design, based on earlier models. ”
Source: Wikisource

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