Joseph Conrad

Joseph Conrad

Summary

Portrait of Joseph Conrad Joseph Conrad Blackwood's Magazine (1899)

And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her as though it had been looking at the image of its own tenebrous and passionate soul.
“And we men also looked at her—at any rate I looked at her. She came abreast of the steamer, stood still, and faced us. Her long shadow fell to the water’s edge. Her face had a tragic and fierce aspect of wild sorrow and of dumb fear mingled with the pain of a struggling, half-shaped emotion.
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad Blackwood's Magazine (1899)

All that had been Kurtz’s had passed out of my hands: his soul, his body, his station, his plans, his ivory, his career. There remained only his memory and his Intended—and I wanted to give that up too to the past, in a way,—to surrender personally all that remained of him with me to that oblivion which is the last word of our common fate. I don’t defend myself. I had no clear perception of what it was I really wanted. Perhaps it was an impulse of unconscious loyalty, or the fulfilment of one of these ironic necessities that lurk in the facts of human existence.
Source: Wikisource

Portrait of Joseph Conrad Joseph Conrad Blackwood's Magazine (1899)

Who was not his friend who had heard him speak once?’ she was saying. ‘He drew men towards him by what was best in them.’ She looked at me with intensity. ‘It is the gift of the great,’ she went on, and the sound of her low voice seemed to have the accompaniment of all the other sounds, full of mystery, desolation, and sorrow, I had ever heard—the ripple of the river, the soughing of the trees swayed by the wind, the murmurs of wild crowds, the faint ring of incomprehensible words cried from afar, the whisper of a voice speaking from beyond the threshold of an eternal darkness.
Source: Wikisource

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