Francis Brett Young

Francis Brett Young

Summary

Portrait of Francis Brett Young Francis Brett Young The Crescent Moon

A length of white-washed stoep supported on slender pillars faced her, and from the stoep a flight of wide steps descended to the sandy path over which she had climbed out of the forest. There was no fence or boma to mark the transition from the desert to the sown; so that the House of the Moon was really set like any Waluguru village in a sudden clearing of the forest; and this seemed strange to Eva, for she had imagined that the house of Godovius would be more in keeping with his wealth and power. She had expected to find a garden carefully tended, an oasis of urbanity and fragrance.
Source: Gutenberg

Portrait of Francis Brett Young Francis Brett Young The Crescent Moon

Next morning Eva wakened to a sound that was peculiar in its blending of the strange and the familiar. The sky hung grey above them, but the air was full of innumerable bird-song, so clear and thrilling in its slenderness that she could almost have imagined that she was waking to a morning in the first ecstasy of spring in her own home on the edge of the Forest of Wyre. She had never heard anything like that at Luguru. In the garden at the mission she had grown accustomed to the harsh note of the pied shrikes, a numerous and truculent tribe which makes its living on the smaller birds.
Source: Gutenberg

Portrait of Francis Brett Young Francis Brett Young The Crescent Moon

All the morning Eva lay in a long chair within the shade of the banda in the garden under the sisal hedge. There was no sun, but the light which beat down from the white-hot sky seemed somehow less bearable than sunlight. Little by little she had realised her idea of turning this grass hut into a sanctuary for herself, and though the thatching of the reeds gave her less protection from the sky than the roof of the house would have done, she was so far in love with this privacy that she preferred to lie there.
Source: Gutenberg

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