Jules Lermina

Biographical details

Portrait of Jules Lermina Jules Lermina The Son of Monte-Cristo, Volume II

Fanfaro's hands and feet were as small as those of a woman, but, as Girdel had said, his muscles and veins were as hard as iron.
The iron hooks were fast now, and the young man swung himself upon a plank; he then glided down one trapeze, and with a quick movement grasped the other.
Like an arrow the slim body shot through the air, and then Fanfaro sprung lightly to the ground, while the trapeze flew back.
At the very moment the young man let go of the trapeze a faint scream was heard, and Caillette, deadly pale, stood next to Fanfaro.
Source: Gutenberg

Portrait of Jules Lermina Jules Lermina The Son of Monte-Cristo

A great change had come over the girl. All her former energy and innumerable caprices had given way to a charming timidity. She was all the time conscious that she concealed a secret in her heart, and that since a certain memorable day she thought of but one person. Her vanity, her patrician pride, all revolted against this truth. The name she repeated over and over again, was that of Fanfar. Whenever she closed her eyes she saw him, haughty and courageous, risking his life to save that of his adopted father. She heard his rich voice and the words he uttered:
"Make yourself beloved."
Source: Gutenberg

Portrait of Jules Lermina Jules Lermina The Son of Monte-Cristo, Volume I

Have you recognized the wretch who calls himself Count San Pietro?"
"Recognized? No; he is a wretch who merits the contempt of every one."
"I thought Eugenie Danglars was shrewder than that. Of course his scar disfigures his face so much as to make it almost unrecognizable. Who was it, Eugenie, who, in former years, had the audacity to ask your hand in marriage, and then—"
"Prince Cavalcanti!" exclaimed La Luciola, horror-stricken.
"Yes, if you wish to call him thus; in reality, though, he is the escaped galley slave and murderer, Benedetto."
Source: Gutenberg

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