Katherine Routledge

Biographical details

Portrait of Katherine Routledge Katherine Routledge,  The mystery of Easter island: the story of an expedition (1919)

“ Just in front of the headland can be seen the two peaks of the mountain of Rano Raraku, from which the statues were hewn and which is the most interesting place in the island; while on a clear day there can be obtained a glimpse of the northern coast and the sea beyond.
Such is Easter Island. It bears no resemblance to the ideal lotus-eating lands of the Pacific; rather, with its bleak grass-grown surface, its wild rocks and restless ocean, it recalls some of the Scilly Isles or the coast of Cornwall. It is not a beautiful country nor even a striking one, but it has a fascination of its own.
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Source: Gutenberg

Portrait of Katherine Routledge Katherine Routledge,  The mystery of Easter island: the story of an expedition (1919)

“ The night is not less beautiful; then the summits of the mountains show dark against the sky, myriads of lights outline the near bays, shine out from the islands and twinkle irregularly up the hillsides, while from the further shore another galaxy are reflected half-way across the still dark water. The whole gives the impression of some magic scene in the Arabian Nights lit up for a great fiesta. Rio is wonderful, marvellous; it leaves one like the Queen of Sheba; and yet—when I am dead I hope that I may return and visit the little bay of Santa Cruz, I know I shall pass by Rio de Janeiro. ”
Source: Gutenberg

Portrait of Katherine Routledge Katherine Routledge,  The mystery of Easter island: the story of an expedition (1919)

“ Immediately above the camp towered the majestic cliff of Raraku, near at hand were its mysterious quarries and still erect statues; on the coast below us, quiet and still, lay the overturned images of the great platform of Tongariki, one fragment of which alone remains on its base, as a silent witness to the glory which has departed. The scene was most wonderful of all when the full moon made a track of light over the sea, against which the black mass of the terrace and the outline of the standing fragment were sharply defined ”
Source: Gutenberg

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