Marguerite Henry

Biographical details

Marguerite Henry Gaudenzia, Pride of the Palio (1960)

Where the streets narrow, the people flatten themselves against the buildings, then come forward again, like waters rushing, receding, rushing.
Giorgio sways along on his mount like a sailor on a flat-bottom boat. The paddling gait of the warhorse is never in step with the beat of the drum; it gives him a seasick feeling. Or is the churning in his stomach a mixture of fear and joy? He glances back at Gaudenzia. She is jibbing her head, actually lifting the groom off his feet as if he were a puppet on a string. She too wants the race to start, and even now wants Giorgio's hand on her leadstrap.
Source: Gutenberg

Marguerite Henry Stormy, Misty's Foal (1963)

So deep a silence hangs over the theater that the sounds of her suckling go out over the loud speakers and carry up to the second balcony. In quiet ecstasy each child is hugging Stormy to himself in wonder and love.
Done with her nursing the filly turns her head, wiping her baby whiskers on Paul's pants leg. The audience bursts into joyous laughter.
The spell is broken. Misty jostles her foal and nips along her neck just in fun; then she licks her vehemently as if to make up for that long separation during the ride from Chincoteague.
Source: Gutenberg

Marguerite Henry Gaudenzia, Pride of the Palio (1960)

The Umbrella Man rocked with laughter. "Palio has always been! That is fine reason why it always will be. You go any year. Time only sharpens the appetite."
At sundown that evening, with the mended dish put away in the cupboard and the umbrella, good as new, hanging on its peg, Giorgio stood before the window at the end of the long room. It was flung wide to the hills of Tuscany, but the boy did not see the trees flaming from the touch of sun, nor the swallows tumbling in the sky, nor the mountains growing bluer with the oncoming night.
Source: Gutenberg

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