Gaudenzia

Definition and stakes

Marguerite Henry Gaudenzia, Pride of the Palio (1960)

The Snail and the Wave are heading crazedly for a crash. They collide! Two fantinos are spewed into the air, go rolling ahead like tumbleweeds. Gaudenzia's rider pulls her back, swerves her sharp around the bodies. She's in first place!
Coming up from behind, Giorgio snakes Rosella between the riderless horses, takes the curve, catches Gaudenzia on the straightaway, passes her.
Did her nostrils pull in his scent as he went by? Did her ears pull in his voice? If not, why is she jibbing her head; why is she weaving at the lesser curve of the Casato? Tiring? She can't be!
Source: Gutenberg

Marguerite Henry Gaudenzia, Pride of the Palio (1960)

And under the banner and the sweeping arc of lights, and under the flags flying, and the flowers cascading from windows and balconies, hundreds of tables were laid with snowy-white cloths. But no one was seated. People were milling about, milling and singing and shouting.
Giorgio suddenly found himself pulled into their midst, and friends and strangers alike were pumping his hand and slapping his back and saluting him on both cheeks. General Barbarulli stood laughing at his bewilderment. He beckoned him to the head table, for coming up a side street was Gaudenzia with her barbaresco.
Source: Gutenberg

Marguerite Henry Gaudenzia, Pride of the Palio (1960)

Where the streets narrow, the people flatten themselves against the buildings, then come forward again, like waters rushing, receding, rushing.
Giorgio sways along on his mount like a sailor on a flat-bottom boat. The paddling gait of the warhorse is never in step with the beat of the drum; it gives him a seasick feeling. Or is the churning in his stomach a mixture of fear and joy? He glances back at Gaudenzia. She is jibbing her head, actually lifting the groom off his feet as if he were a puppet on a string. She too wants the race to start, and even now wants Giorgio's hand on her leadstrap.
Source: Gutenberg

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