Marguerite Henry

Summary

Marguerite Henry Gaudenzia, Pride of the Palio (1960)

Where the streets narrow, the people flatten themselves against the buildings, then come forward again, like waters rushing, receding, rushing.
Giorgio sways along on his mount like a sailor on a flat-bottom boat. The paddling gait of the warhorse is never in step with the beat of the drum; it gives him a seasick feeling. Or is the churning in his stomach a mixture of fear and joy? He glances back at Gaudenzia. She is jibbing her head, actually lifting the groom off his feet as if he were a puppet on a string. She too wants the race to start, and even now wants Giorgio's hand on her leadstrap.
Source: Gutenberg

Marguerite Henry Gaudenzia, Pride of the Palio (1960)

The Umbrella Man rocked with laughter. "Palio has always been! That is fine reason why it always will be. You go any year. Time only sharpens the appetite."
At sundown that evening, with the mended dish put away in the cupboard and the umbrella, good as new, hanging on its peg, Giorgio stood before the window at the end of the long room. It was flung wide to the hills of Tuscany, but the boy did not see the trees flaming from the touch of sun, nor the swallows tumbling in the sky, nor the mountains growing bluer with the oncoming night.
Source: Gutenberg

Marguerite Henry Gaudenzia, Pride of the Palio (1960)

The jumbled confusion of flapping blankets and spreads and the splashing colors of fruits and vegetables, and the hawkers screaming—all this was gone. The Piazza was a shell of emptiness. High up in the palace windows the winking lights seemed faraway planets, but in the circle of shops below they burned steady and close together like a necklace of fire opals.
The night was softly warm. A score of small round tables had been set out in front of the café near the Fonte Gaia. Most of them were occupied. Giorgio thought he recognized some of the people from Uncle Marco's audience.
Source: Gutenberg

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