Anna Sewell

Anna Sewell

Summary

Portrait of Anna Sewell Anna Sewell Black Beauty (1877)

At last the day came when James had to leave us: cheerful as he always was, he looked quite down-hearted that morning.
"You see," he said to John, "I am leaving a great deal behind; my mother and Betsey, and you, and a good master and mistress, and then the horses, and my old Merrylegs. At the new place, there will not be a soul that I shall know. If it were not that I shall get a higher place, and be able to help my mother better, I don't think I should have made up my mind to it: it is a real pinch, John."
Source: Wikisource

Portrait of Anna Sewell Anna Sewell Black Beauty

My new master I shall never forget; he had black eyes and a hooked nose, his mouth was as full of teeth as a bull-dog's, and his voice was as harsh as the grinding of cart wheels over graveled stones. His name was Nicholas Skinner, and I believe he was the man that poor Seedy Sam drove for.
I have heard men say that seeing is believing; but I should say that feeling is believing; for much as I had seen before, I never knew till now the utter misery of a cab-horse's life.
Source: Gutenberg

Portrait of Anna Sewell Anna Sewell Black Beauty

No doubt a horse fair is a very amusing place to those who have nothing to lose; at any rate, there is plenty to see.
Long strings of young horses out of the country, fresh from the marshes; and droves of shaggy little Welsh ponies, no higher than Merrylegs; and hundreds of cart horses of all sorts, some of them with their long tails braided up and tied with scarlet cord; and a good many like myself, handsome and high-bred, but fallen into the middle class, through some accident or blemish, unsoundness of wind, or some other complaint.
Source: Gutenberg

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