Edward L. Anderson

Summary

Edward L. Anderson,  Riding and Driving

“ Its paces should be smooth, even, and regular, four rhythmic beats in the walk, three in the controlled gallop, two in the trot, while the action should only be high enough for safe and graceful movements, the stride not long enough to affect the animal's agility. The temper should "be bold, be bold but not too bold," unaccustomed objects arousing the horse's curiosity rather than its fears, while this mettle is dominated by the rider's hand as it ever finds just that tension upon the reins that it would meet in bending the end of a willow branch. ”
Source: Gutenberg

Edward L. Anderson,  Riding and Driving

“ Your dog twists himself into extravagant physical contortions when you return after a month's absence; your horse, on the other hand, is no more warm in his welcome than your saddle. He is, now that he has been so long guarded and cared for by man, a pitiably helpless animal when left to himself. The mere fact that the reins lie on the dash-board, that he hears no voice behind him, that he is free, sends him off at a gallop—possibly to his own destruction. ”
Source: Gutenberg

Edward L. Anderson,  Riding and Driving

“ Two-thirds of the coachmen on private carriages catch sight of their masters, flap the horses with the reins, swing the whip, and chirrup; and yet they would be surprised to be told that they do not know the rudiments of driving. Nothing smacks more of the farmer than a man who, behind you, or passing you, or standing near you and wishing to start, clicks or clucks to his horse, starting your horse up at the same time. A man who cannot start one, two, or four horses with his hands, and without a hullabaloo of noise, is unworthy to sit behind horses at all. ”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature