Ralph Hale Mottram

Biographical details

Portrait of Ralph Hale Mottram Ralph Hale Mottram,  The Spanish farm (1924)

“ She left the veterans and the mules, busy in the fields, and stood, for a few moments, on the edge of the pavé, where the by-road to the farm left it, watching the melancholy procession. True, some were laughing, or greeted her with a cheer, but the general impression of those pinched faces and anxious eyes, above worn and filthy clothes, gave a better idea than any historian will ever do, of the rigors of the blockade. Madeleine gained from the sight just her first inkling of the irreparable loss, that was to weigh upon the lifetime of her generation. ”
Source: Gutenberg

Portrait of Ralph Hale Mottram Ralph Hale Mottram,  The Spanish farm (1924)

“ All this made little or no impression upon Madeleine. The old life had slipped back upon her like a glove. German bombs dropped in or about the pasture, spoiled her sleep, made her apprehensive of fire and damage. Otherwise she merely learned from the talk around the kitchen stove that the war was just what she had always felt it to be—a crowning imbecility of insupportable grown-up children. All that one wanted was to be left tranquil. There was always plenty to do, and, if one were only left alone, money to be made. ”
Source: Gutenberg

Portrait of Ralph Hale Mottram Ralph Hale Mottram,  The Spanish farm (1924)

“ There existed in Madeleine, as in so many women of those days, the queerest contradiction. Fearing daily and desperately the very worst—death to their loved man—they never could believe in it happening, often even when it did actually happen, as was usual in those years. Relieved, respited at least from the major anxiety—for Georges must be in hospital or depot somewhere, and out of the fighting, Madeleine began to be a prey to a lesser—to know what had happened to him? which led her curiosity to explore the unknown at least once a day. ”
Source: Gutenberg

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