William Charles Mark Kent

Biographical details

William Charles Mark Kent,  1911 Encyclopædia Britannica (1911)

“ No matter what he happened at the moment to take in hand, the art he applied to it was always that highest art of all, the ars celare artem. His mastery of the lightest but most essential weapon in the armoury of the diplomatist, tact, came to him as it seemed intuitively, and from the outset was consummate. Talleyrand himself would have had no reason, even in Henry Bulwer’s earliest years as an attaché, to write entreatingly, “pas de zèle,” to one who concealed so felicitously, even at starting, a lynx-like vigilance under an aspect the most phlegmatic. ”
Source: Wikisource

William Charles Mark Kent,  Dictionary of National Biography… (1885)

“ Nothing, however remarkable, could startle him into incredulity. Having avowed himself zealous to establish beyond dispute the antiquity of Bristol, Barrett had, a day or two afterwards, handed to him Rowley's escutcheon of Ailward. Whatever information he wanted for his immediate purpose was placed by Chatterton, within a few hours' time, at his command, whether accounts of churches, of chapels, of statues, of castles, of monuments, or of knightly trophies. ”
Source: Wikisource

William Charles Mark Kent,  Dictionary of National Biography… (1888)

“ Early in 1831 D'Orsay and Lady Blessington had drifted back into England. Thenceforth, for nearly twenty years, they wielded a sort of supremacy over a considerable circle of the artistic and fashionable world of London. They gathered around them in their drawing-rooms—for five years in Mayfair, for nearly fifteen in Kensington—all the social and literary celebrities of their time. They lived scrupulously apart, though within easy distance. ”
Source: Wikisource

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