William Ernest Henley

“ Nay, rather, though we seemed to wear the rue,
Sweet friend, how many, and how goodly—say!
p. 51XXXV
Sing to me, sing, and sing again,
My glad, great-throated nightingale:
Sing, as the good sun through the rain—
Sing, as the home-wind in the sail!
Sing to me life, and toil, and time,
O bugle of dawn, O flute of rest!
Sing, and once more, as in the prime,
There shall be naught but seems the best.
And sing me at the last of love:
Sing that old magic of the May,
That makes the great world laugh and move
As lightly as our dream to-day! ”

“ What miracle is happening in the air,
Charging the very texture of the gray
With something luminous and rare?
The night goes out like an ill-parcelled fire,
And, as one lights a candle, it is day.
The extinguisher that fain would strut for spire
On the formal little church is not yet green
Across the water: but the house-tops nigher,
The corner-lines, the chimneys—look how clean,
How new, how naked! See the batch of boats,
Here at the stairs, washed in the fresh-sprung beam!
And those are barges that were goblin floats,
Black, hag-steered, fraught with devilry and dream! ”

“ Mary. The night!
Brodie. Mary, you must hear. How am I to tell her, and the old man just dead! Mary, I was the boy you knew; I loved pleasure, I was weak; I have fallen . . . low . . . lower than you think. A beginning is so small a thing! I never dreamed it would come to this . . . this hideous last night.
Mary. Willie, you must tell me, dear. I must have the truth . . . the kind truth . . . at once . . . in pity.
Brodie. Crime. I have fallen. Crime.
Mary. Crime?
Brodie. Don’t shrink from me. Miserable dog that I am, selfish hound that has dragged you to this misery . . . ”

“ Passed, and your face, your golden face, is gray—
I think, whate’er the end, this dream of mine,
Comforting you, a friendly star will shine
Down the dim slope where still you stumble and stray.
So may it be: that so dead Yesterday,
No sad-eyed ghost but generous and gay,
May serve you memories like almighty wine,
When you are old!
Dear Heart, it shall be so. Under the sway
Of death the past’s enormous disarray
Lies hushed and dark. Yet though there come no sign,
Live on well pleased: immortal and divine
Love shall still tend you, as God’s angels may,
When you are old. ”

“ The simplicity, the wit, the wisdom, the humanity, the dramatic imagination, the capacity of dramatic expression, the exquisite union of sense and manner, the faultless balance of matter and style, are qualities for which in the Englishman you look in vain. You read, and you read not only without enthusiasm but without interest. The verse is merely brisk and fluent; the invention is common; the wit is not very witty; the humour is artificial ”

“ England, and with her the strong broods that stand
Wherever her fighting lines are thrust or spread!
They call us proud?—Look at our English Rose!
Shedders of blood?—Where hath our own been spared?
Shopkeepers?—Our accompt the high God knows.
Close?—In our bounty half the world hath shared.
They hate us, and they envy? Envy and hate
Should drive them to the Pit’s edge?—Be it so!
That race is damned which misesteems its fate;
And this, in God’s good time, they all shall know,
And know you too, you good green England, then—
Mother of mothering girls and governing men! ”

“ Brodie. Why not! He asks me why not! Gods, what a brain it is! Hark ye, Badger, it’s all very well to be King of the Cracksmen, as you call it; but however respectable he may have the misfortune to be, one’s friend is one’s friend, and as such must be severely let alone. What! shall there be no more honour among thieves than there is honesty among politicians? Why, man, if under heaven there were but one poor lock unpicked, and that the lock of one whose claret you’ve drunk, and who has babbled of woman across your own mahogany—that lock, sir, were entirely sacred. ”

“ Feels at your windpipe, fingers you in the lung,
Or flicks the clot well into the labouring heart:
Thus signifying unto old and young,
However hard of mouth or wild of whim,
’Tis time—’tis time by his ancient watch—to part
With books and women and talk and drink and art:
And you go humbly after him
To a mean suburban lodging: on the way
To what or where
Not Death, who is old and very wise, can say:
And you—how should you care
So long as, unreclaimed of hell,
The Wind-Fiend, the insufferable,
Thus vicious and thus patient sits him down
To the black job of burking London Town? ”

“ Scribe invents and eludes where Dumas invents and dares. The theory of Scribe is one of mere dexterity: his drama is a perpetual chassé-croisé at the edge of a precipice, a dance of puppets among swords that might but will not cut and eggs that might but will not break; to him a situation is a kind of tight-rope to be crossed with ever so much agility and an endless affectation of peril by all his characters in turn: in fact, as M. Dumas fils has said of him, he is ‘le Shakespeare des ombres chinoises.’ The theory of Dumas is the very antipodes of this. ”

“ And spreads, the burden of Winter heavier weighs,
His melancholy close and closer yet
Cleaves, and those incantations of the Spring
That made the heart a centre of miracles
Grow formal, and the wonder-working bours
Arise no more—no more.
Something is dead . . .
’Tis time to creep in close about the fire
p. 208And tell grey tales of what we were, and dream
Old dreams and faded, and as we may rejoice
In the young life that round us leaps and laughs,
A fountain in the sunshine, in the pride
Of God’s best gift that to us twain returns,
Dear Heart, no more—no more. ”

“ Floats from shore to shore of the universal seas;
And the loneliest death is fair with a memory of her flowers,
And the end of the road to Hell with the sense of her dews and showers!
p. 47Who says that we shall pass, or the fame of us fade and die,
While the living stars fulfil their round in the living sky?
For the sire lives in his sons, and they pay their father’s debt,
And the Lion has left a whelp wherever his claw was set:
And the Lion in his whelps, his whelps that none shall brave,
Is but less strong than Time and the all-devouring Grave. ”

“ My father and Mary—Well! the day for them, the night for me; the grimy cynical night that makes all cats grey, and all honesties of one complexion. Shall a man not have half a life of his own?—not eight hours out of twenty-four? [Eight shall he have should he dare the pit of Tophet.] (Takes out money.) Where’s the blunt? I must be cool to-night, or . . . steady, Deacon, you must win; damn you, you must! You must win back the dowry that you’ve stolen, and marry your sister, and pay your debts, and gull the world a little longer! ”

“ The ocean as confidant, a Laertes that can neither avoid his Hamlets nor bid them hold their peace, is a modern invention. Byron and Shelley discovered it; Heine took it into his confidence, and told it the story of his loves; Wordsworth made it a moral influence; Browning loved it in his way, but his way was not often the poet’s; to Matthew Arnold it was the voice of destiny, and its message was a message of despair; Hugo conferred with it as with an humble friend, and uttered such lofty things over it as are rarely heard upon the lips of man. ”

“ Love, which is lust, is the Lamp in the Tomb.
Love, which is lust, is the Call from the Gloom.
Love, which is lust, is the Main of Desire.
Love, which is lust, is the Centric Fire.
So man and woman will keep their trust,
Till the very Springs of the Sea run dust.
Yea, each with the other will lose and win,
Till the very Sides of the Grave fall in.
For the strife of Love’s the abysmal strife,
And the word of Love is the Word of Life.
And they that go with the Word unsaid,
Though they seem of the living, are damned and dead. ”

“ Better to hide, and best of all to bear.
We are the masters of the days that were:
We have lived, we have loved, we have suffered . . . even so.
Shall we not take the ebb who had the flow?
Life was our friend. Now, if it be our foe—
Dear, though it spoil and break us!—need we care
What is to come?
Let the great winds their worst and wildest blow,
Or the gold weather round us mellow slow:
We have fulfilled ourselves, and we can dare
And we can conquer, though we may not share
In the rich quiet of the afterglow
What is to come. ”

“ Father, I know Kit, and I love him.
Gaunt. I say it solemnly, this is no Christian union. To you, Christopher French, I will speak nothing of eternal truths: I will speak to you the language of this world. You have been trained among sinners who gloried in their sin: in your whole life you never saved one farthing; and now, when your pockets are full, you think you can begin, poor dupe, in your own strength. You are a roysterer, a jovial companion; you mean no harm—you are nobody’s enemy but your own. ”