Summary

1911 Encyclopædia Britannica, Volume 12… (1911)

The question was not answered until the connexion was finally severed and they stood before the public, each to answer for his own work. It was then apparent that they had many gifts in common. Both had wit, humour, observation of character. Meilhac had a ready imagination, a rich and whimsical fancy; Halévy had taste, refinement and pathos of a certain kind. Not less clever than his brilliant comrade, he was more human.
Source: Wikisource

1911 Encyclopædia Britannica, Volume 12… (1911)

The pompous, pedantic, venomous Monsieur Cardinal will long survive as the true image of sententious and self-glorifying immorality. M. Halévy’s peculiar qualities are even more visible in the simple and striking scenes of the Invasion, published soon after the conclusion of the Franco-German War, in Criquette (1883) and L’Abbé Constantin (1882) , two novels, the latter of which went through innumerable editions. Zola had presented to the public an almost exclusive combination of bad men and women; in L’Abbé Constantin all are kind and good, and the change was eagerly welcomed by the public.
Source: Wikisource

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