Summary

Portrait of A. E. W. Mason A. E. W. Mason The Summons — XV: In a Sleeping-Car (1920)

Hillyard smiled.
"You are safe, my friend," he breathed the words towards the anxious one in the corridor. "No one can get in. The door is locked. The door of the dressing-room too. Sleep in your corner in peace."
The train sped over a moonlit country, spacious, unhurt by war. It moved with a steady, rhythmical throb, like an accompaniment to a tune or a phrase, ever repeated and repeated Hillyard found himself fitting words to the pulsation of the wheels. "Berlin ... Berne ... Paris ... Cerbere ... Barcelona ... Madrid ...
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Portrait of A. E. W. Mason A. E. W. Mason The Summons — XV: In a Sleeping-Car (1920)

But you must get out of the train for it."
Hillyard uttered an exclamation of disgust, and shrugged his shoulders. "What a country!" the gesture said as plainly as speech.
"But it is the war, monsieur!" the attendant expostulated with indignation.
"Oh, yes, I know! The war!" Hillyard retorted with ill-humour. "Do I want a bath? I cannot have it. It is the war. If a waiter is rude to me, it is the war. If my steak is over-cooked it is the war. The war! It is the excuse for everything."
Source: Wikisource

Portrait of A. E. W. Mason A. E. W. Mason The Summons — XV: In a Sleeping-Car (1920)

The attendant, a middle-aged, stout man with a black moustache and a greasy face, shot one keen glance from under the peak of his cap at the occupant of numbers 11 and 12, and then led the way along the corridor.
The compartment was empty. Hillyard looked around it with a grudging eye.
"I am near the middle of the coach here, I think," he said.
"Yes, monsieur, quite in the middle."
"That is well," answered Hillyard. "I am an invalid, and cannot sleep when there is much motion."
He spoke irritably, with that tone of grievance peculiar to the man who thinks his health is much worse than it is.
Source: Wikisource

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