A correspondent

Summary

A correspondent Memoir of Letitia Elizabeth Landon (1837)

Her thoughts found a deeper channel, and flowed still more freely; her observations took a wider range, and scanned the features of life as they presented themselves to her earnest gaze—not as she had imaged them in the pages of chivalry and romance, or shaped them for herself amidst the grotesque fancies of a dream. She discovered that her powers acquired elasticity, as the subjects on which they were exercised became more various; and that the world widened as she went on. Reality, in short, grew as familiar to her as Romance. She led Prose captive, as she had led Poetry.
Source: Wikisource

A correspondent Memoir of Letitia Elizabeth Landon (1837)

We wish we could see her ceasing to cultivate her want of faith in the world's virtue, since nobody has more charity for the world's vice. But good or evil, she must and will have her sharp and brilliant jest at the expense of the world; sincerity and hypocrisy fare alike, if there be a witty analogy in the way. Why will she persist in showing her love of the picturesque and her devotion to poetry, by dressing up Apollo in a mourning cloak, as though he were attending the remains of human Enthusiasm to the grave?
Source: Wikisource

A correspondent Memoir of Letitia Elizabeth Landon (1837)

Miss Landon frankly informs us that she was "not a pretty child." Now this candour will not appear at all surprising, if we reflect that the lady, when making the confession, perfectly well knew what all the world is aware of—to wit, the change that invariably takes place between childhood and maturity, whereby the pretty become plain and the plain pretty—on the principle which fate or fortune so frequently illustrates in daily life, of "win first, lose last."
Source: Wikisource

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