Florence Earle Coates

Florence Earle Coates

Summary

Portrait of Florence Earle Coates Florence Earle Coates,  Matthew Arnold (1894)

“ Of those voices Newman's most deeply penetrated the heart of the impressionable student, and though Arnold afterward came to feel that in becoming a Roman Catholic Newman had adopted "for the doubts and difficulties which beset men's minds to-day a solution which, to speak frankly, is impossible," he never ceased to admire in him the combination of traits—the mingled gentleness and irony, lucidity and urbanity—which had captivated his boyish imagination, nor to revere in him the inspirer of his youth. ”
Source: Wikisource

Portrait of Florence Earle Coates Florence Earle Coates,  Matthew Arnold (1894)

“ And yet, steeped in sentiment as she lies, spreading her gardens to the moonlight, and whispering from her towers the last enchantments of the Middle Age, who will deny that Oxford, by her ineffable charm, keeps ever calling us nearer to the true goal of all of us, to the ideal, to perfection,—to beauty, in a word, which is only truth seen from another side? ”
Source: Wikisource

Portrait of Florence Earle Coates Florence Earle Coates,  Matthew Arnold (1894)

“ His abiding word for us, the word by which being dead he yet speaks to us, is this: "That which befits us, embosomed in beauty and wonder as we are, is cheerfulness and courage, and the endeavor to realize our aspirations." One can scarcely overrate the importance of thus holding fast to happiness and hope. It gives to Emerson's work an invaluable virtue.... Carlyle's perverse attitude toward happiness cuts him off from hope. He fiercely attacks the desire for happiness. He is wrong; "We judge of a man's wisdom by his hope." ”
Source: Wikisource

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