Achmed Abdullah

Achmed Abdullah

Summary

Portrait of Achmed Abdullah Achmed Abdullah Framed at the Benefactors Club… (1913)

The youth tried to stop him. Ogilvie caught him full in the pit of the stomach with his head. The youth dropped, with a funny, squeaky little noise of pain, while, at the same moment, the other four hurled themselves upon Ogilvie, their fists going like flails. Ogilvie kept his presence of mind and gave a short laugh. He had taken part in a few rough-and-tumble fights and knew that when a number of men turn against one they usually interfere more with each other than they hurt the man whom they attack.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah Framed at the Benefactors Club… (1913)

The short, stocky man who had accompanied the murdered man was still sitting at the table, looking down upon the dead body, his face singularly unexpressive of any emotion whatsoever. He had not even dropped the cigar which he was smoking. The party of three whom Ogilvie had noticed earlier in the evening—the man who looked like an elderly roué, the one with the cleaverlike profile, and the youth in the foppish clothes—had got up, as had the party of two—he with the bald, pink head and the staring, contemptuous eyes, and the one who looked like an average business man.
Source: Wikisource

Portrait of Achmed Abdullah Achmed Abdullah Framed at the Benefactors Club… (1913)

The youth in the Norfolk suit gripped his arm, and it was this physical contact which cleared Ogilvie's brain and caused him to act. Whatever the reason for Martyn Spencer's strange bargain with him, whatever the cause of the murder or the personality of the murderer, whatever the beginning and problematical end of it all, it became suddenly clear to him that he must get away as rapidly as possible.
Source: Wikisource

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