Achmed Abdullah,
The Man on Horseback — Chapter 17
(1903)
“ Wedekind lay on the couch in her little boudoir furnished in a style different from the usual neo-German affair, crowded with ornaments that were no decorations, and with decorations that were no ornaments, with bulbous or angular monstrosities in wood or metal that were the fruit of some diseased artist brain from Berlin or Munich. The little octagonal, balconied room spoke of a former generation, both more gentle and more sophisticated. ”
