Heinrich von Kleist

Definition and stakes

The German Classics of the Nineteenth and Twentieth Centuries…

From the point of view he has chosen he was quite right to leave unnoticed for the present Heinrich von Kleist's magnificent Hermann's Battle and Prince of Homburg. Of all our poets Uhland has unearthed in the purest form the treasure of German nationality: all the dreaming and longing, the hoping and enduring, but also all the courage, all the strength which steps into the first rank only in battle, not on the parade ground. One cannot blame Uhland without blaming Germany at the same time, but one can praise Uhland without at the same time praising Germany
Source: Gutenberg

Portrait of Heinrich von Kleist Heinrich von Kleist Michael Kohlhaas (1810)

Kohlhaas, as soon as she entered, thought that by the seal-ring, which she wore on her finger, and the coral chain which hung from her neck, he recognised the old gipsy who had given him the can at Jüterboch. Indeed, as probability is not always on the side of truth, so was it here; for something happened which we certainly record, but which every one who chooses is at liberty to doubt.
Source: Wikisource

The German Classics of the Nineteenth and Twentieth Centuries…

Heinrich von Kleist was born into a generation that was dominated by the spirit of Romanticism. Tieck and the Schlegels were a few years older, Fouqué was of the same age as he, and Arnim and Brentano somewhat younger. His acquaintance was largely with the authors who represented this tendency. In his own works, however, Kleist was singularly independent of the romantic influence. This is the more remarkable inasmuch as his character had many traits in common with the ardent spirits of the Romantic group.
Source: Gutenberg

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