Summary

Portrait of Agatha Christie Agatha Christie The House of Dreams (Agatha Christie…

With his strangely sensitive mouth, and the long dark blue slits of eyes that suggested an elf or a faun, something wild and of the woods, it was incongruous that he should be offered up, a sacrifice on the altar of Finance. The smell of the earth, the taste of the sea salt on one’s lips, and the free sky above one’s head—these were the things beloved by John Segrave, to which he was to bid farewell.
At the age of eighteen he became a junior clerk in a big business house.
Source: Wikisource

Portrait of Agatha Christie Agatha Christie The House of Dreams (Agatha Christie…

He was glad when Maisie asked Allegra Kerr to play. They’d get through the evening sooner. The young idiot didn’t even play bridge.
Allegra played well, though without the sure touch of a professional. She played modern music, Debussy and Strauss, a little Scriabine. Then she dropped into the first movement of Beethoven’s Pathétique, that expression of a grief that is infinite, a sorrow that is endless and vast as the ages, but in which from end to end breathes the spirit that will not accept defeat. In the solemnity of undying woe, it moves with the rhythm of the conqueror to its final doom.
Source: Wikisource

Portrait of Agatha Christie Agatha Christie The House of Dreams (Agatha Christie…

Below, on the doorstep, John Segrave came face to face with Allegra coming in from the street. She was in black, her face white and lifeless, She took one glance at him then drew him into a small morning room.
“Maisie told you,” she said. “You know?”
He nodded.
“But what does it matter? You're all right. It—it leaves some people out.”
She looked at him somberly, mournfully.
“You are all right,” he repeated.
“I don’t know,” she almost whispered it. “I don’t know. I told you—about my dreams. And when I play—when I’m at the piano—those others come and take hold of my hands.”
Source: Wikisource

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