Albert Charles Robinson Carter

Summary

Albert Charles Robinson Carter 1911 Encyclopedia Britannica (1911)

ART SOCIETIES. In banding themselves into societies and associations artists have always been especially remarkable. The fundamental motive of such leaguing together is apparent, for, by the establishment of societies, it becomes possible for the working members of these to hold exhibitions and thereby to obtain some compensation or reward for their labours. With the growth of artistic practice and public interest, however, art societies have been instituted where this primary object is either absent or is allied to others of more general scope.
Source: Wikisource

Albert Charles Robinson Carter 1911 Encyclopedia Britannica (1911)

One of the remarkable features in the history of art in Great Britain has been the rapid increase of the artistic rank and file. Taking the number of exhibitors at the principal London and provincial exhibitions, it is found that in the period 1885–1900 the ranks were doubled. At the end of the 19th century it was estimated that there were quite 7000 practising artists. Coincident with this astonishing development there has been a corresponding addition of new art societies and the enlargement of older bodies.
Source: Wikisource

Albert Charles Robinson Carter 1911 Encyclopedia Britannica (1911)

First it should be noted that there are very few societies designed for the artistic improvement of artists. The Artists’ Society has already been mentioned; and the Art Workers’ Guild, which meets at Clifford’s Inn Hall, provides meetings, from which the public is excluded, where profitable discussions take place on questions of craft and design. But, as a rule, the art society, of which only artists are members, is organized for exhibition purposes or for the protection of interests.
Source: Wikisource

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