Summary

Alexander Paul The Practical Ostrich Feather Dyer

Owing to the delicate nature of the material, the dyeing of ostrich feathers bears much similarity to that of silk; both being high in price, carelessness and negligence in their treatment is apt to entail heavy losses. The utmost cleanliness of all utensils is an absolute requirement; dyestuffs, drugs and chemicals must never be added to baths in substance, but always in solution, and never while the material is in the bath; but the material must be taken up while the dyestuff or salt, etc., solution is being added to the bath, and only re-entered after stirring well.
Source: Gutenberg

Alexander Paul The Practical Ostrich Feather Dyer

Very popular combinations are: the tip light blue and the bottom brown, the tip rose and the lower part bordeaux, the tip light orange or dark yellow and the lower part garnet brown, tip rose with olive bottom part, or even three colors, such as the tip rose, the part below it medium olive green, and the lowest part deep violet. That such combinations are very handsome cannot be asserted; but fashion dictates, and fancy sometimes prefers oddity to beauty. More rational are at any rate the ombrées, or combinations of two or three shades of the same color upon one feather.
Source: Gutenberg

Alexander Paul The Practical Ostrich Feather Dyer

While philosophers assert that they have succeeded in producing white light by the combination of lights of the [162] various colors, for which combination, however, they give no formula, no dyer with the greatest patience and with the most subtile proportioning of dyestuffs, giving pure reproductions of the primary colors as seen in the spectrum or image of the broken sunbeam, can ever be able to produce anything of a color approaching white. But every dyer knows how to produce white by bleaching, that is, by the destruction of all color.
Source: Gutenberg

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