Alexandre Dumas

Alexandre Dumas

Summary

Portrait of Alexandre Dumas Alexandre Dumas The Man in the Iron Mask

I accept it, acknowledge it, receive it, as a disinherited sister; for poverty is neither solitude, nor exile, nor imprisonment. Is it likely I shall ever be poor, with such friends as Pelisson, as La Fontaine, as Moliere? with such a mistress as—Oh! if you knew how utterly lonely and desolate I feel at this moment, and how you, who separate me from all I love, seem to resemble the image of solitude, of annihilation—death itself.”
“But I have already told you, Monsieur Fouquet,” replied D’Artagnan, moved to the depths of his soul, “that you are woefully exaggerating. The king likes you.”
Source: Gutenberg

Portrait of Alexandre Dumas Alexandre Dumas The Man in the Iron Mask

Aramis waited in silence. “Monseigneur,” he resumed, after a moment’s reflection, “I admire the firm, sound sense which dictates your words; I am happy to have discovered my monarch’s mind.”
“Again, again! oh, God! for mercy’s sake,” cried the prince, pressing his icy hands upon his clammy brow, “do not play with me! I have no need to be a king to be the happiest of men.”
“But I, monseigneur, wish you to be a king for the good of humanity.”
“Ah!” said the prince, with fresh distrust inspired by the word; “ah! with what, then, has humanity to reproach my brother?”
Source: Gutenberg

Portrait of Alexandre Dumas Alexandre Dumas The Man in the Iron Mask

But Aramis stopped him. “Are you mad?” cried he. “Who knows that it is not a snare?”
“Of the other king’s?” said Porthos, mysteriously.
“A snare, in fact! That’s what it is, my friend.”
“Very possibly; what is to be done, then? If D’Artagnan sends for us—”
“Who assures you that D’Artagnan sends for us?”
“Well, but—but his writing—”
“Writing is easily counterfeited. This looks counterfeited—unsteady—”
“You are always right; but, in the meantime, we know nothing.”
Aramis was silent.
“It is true,” said the good Porthos, “we do not want to know anything.”
Source: Gutenberg

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