Alfred Perceval Graves

Alfred Perceval Graves

Summary

Portrait of Alfred Perceval Graves Alfred Perceval Graves Memoir of Joseph Sheridan Le Fanu (1880)

Those who possessed the rare privilege of Le Fanu's friendship, and only they, can form any idea of the true character of the man; for after the death of his wife, to whom he was most deeply devoted, he quite forsook general society, in which his fine features, distinguished bearing, and charm of conversation marked him out as the beau-ideal of an Irish wit and scholar of the old school.
Source: Wikisource

Portrait of Alfred Perceval Graves Alfred Perceval Graves Memoir of Joseph Sheridan Le Fanu (1880)

Collins excites and fascinates our attention by an intense power of realism which carries us with unreasoning haste from cover to cover of his works, Le Fanu is an idealist, full of high imagination, and an artist who devotes deep attention to the most delicate detail in his portraiture of men and women, and his descriptions of the outdoor and indoor worlds—a writer, therefore, through whose pages it would be often an indignity to hasten.
Source: Wikisource

Portrait of Alfred Perceval Graves Alfred Perceval Graves Memoir of Joseph Sheridan Le Fanu (1880)

Collins is generally dramatic, and sometimes stagy, in his effects. Le Fanu, while less careful to arrange his plots, so as to admit of their being readily adapted for the stage, often surprises us by scenes of so much greater tragic intensity that we cannot but lament that he did not, as Mr. Collins has done, attempt the drama, and so furnish another ground of comparison with his fellow-countryman, Maturin (also, if we mistake not, of French origin) , whom, in his writings, Le Fanu far more closely resembles than Mr. Collins, as a master of the darker and stronger emotions of human character.
Source: Wikisource

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